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Surface Photography

March 15, 2016 by Eric Keibler

Travel & Adventure Photography – Food

fiji-416Let’s face it, on any adventure, the food is as important as the other activities.  Most of us are not on backpacking trips where freeze-dried or dehydrated food is the standard but rather we are there to experience the small part of the world we are visiting and food is an important part of that experience.
So, if food is an important portion of your trip, do you spend time trying to document experiences?  Do you try to capture the moment and the feelings associated with you meal so you can make your friends at home jealous?
Darren Rowse, in his article Food Photography – An Introduction has a few hints for improving your photographs:

Lighting

Treat the food you’re photographing as you would any other still life subject and ensure that it is well-lit.  Natural light is an ideal way to light food, assuming you are near a window and it is not dark outside.  You may need to “fill” using your strobe to eliminate harsh shadows.  Remember you want some shadow because it gives the food height and makes it look interesting but harsh shadows may take away from the image.  You can also use your napkin to reflect some light into these dark areas.  Daylight helps to keep the food looking much more natural.

Props

Pay attention not only to the arrangement of the food itself but to the context that you put it in.  You may have to move some of the flatware or other plates to give the object more room and to put it in an interesting setting.  Pay attention to the foreground and the background.
Be Quick
Food doesn’t keep its appetizing looks for long so as a photographer you’ll need to be well prepared and able to shoot quickly after it has been cooked before it melts, collapses, wilts and/or changes color.  You are also probably eating with other hungry divers and adventurers and their patience will wear thin if you take too much time arranging the table and setting up your shot.

Style It

The way food is set out on the plate is as important as the way you photograph it.  The chef or staff have probably prepared the plate to showcase the food the way they want it.  This is called “plating” in the cooking world and presentation has become very important.  However, in moving it from the kitchen to your table, things may have moved or to improve the lighting, you may find yourself acting as a food stylist.  Some things to remember is, keep it simple, wipe away spills, and try for some height.

ovi-107Get Down Low

A mistake that many beginner food photographers make is taking shots that look down on a plate from directly above.  While this can work in some circumstances – in most cases you’ll get a better shot by shooting from down close to plate level (or slightly above it).  Don’t be afraid to push your chair back  and get down low.

Macro

Really focusing in on just one part of the dish can be an effective way of highlighting the different elements of it.  A mixture of shots can really add to your trip.

20090903-IMG_0535Steam

Having steam rising off your food can give it a “just cooked” feel.  This is easier said than done but it goes hand-in-hand with the “be quick” hint above.
Adding photographs of your meals can add a more rounded dimension to your travel memories so remember to take your camera to dinner.

Filed Under: Digital, Photography Tagged With: photo, photography, Surface Photography

February 16, 2016 by Eric Keibler

Travel and Adventure Photography – Nine Hints for Underwater Photographers

In reading Helen Jung’s article, Secrets to Traveling like a Local, I thought about how to apply some of her hints to diving travel photography.   We have a lot of the same issues but when you add underwater photography to the mix, it opens a whole new world in travel photography.  Here are some hints I came up with:

20090908-IMG_1109Study before you go.

You should look at what others have done so you have an idea of what iconic photographs represent the location. If you were going to Paris, you would want a photograph of the Eiffel tower.  The same applies to your underwater trip.  What creatures, people, and places did others find interesting?  Finding out where these things might be located will help you capture images that encompass your trip.

Ask Questions.

Talk to people who have been diving there and find out what they found interesting.  Keep an open mind.  You might not be interested in a Japanese Communication Bunker in Chuuk but the view from the top is wonderful.

Penetration - Truk LagoonTalk to the Dive Master.

Remember, local knowledge is a big plus in photography, especially in underwater photography.  I remember one dive in Chuuk, where I went on a photography dive with Todd Emmons, the lead Master on the Odyssey.  He led me through the ship and acted as the model for a series of photographs.  I still had to interpret  each site, but he knew where others had made beautiful photographs in the past.  He also had some new places where he thought there was potential for some fun photographs.

Photography by Ann KeiblerForce yourself to push the envelope.

I am a die-hard wide-angle photographer.  I love the expansive scenics both above and below the surface.  However, many locations are really best captured using a macro or super macro lens.  So, while I can always fall back on wide-angle, I have to force myself to concentrate on Macro photography.  This was especially true in Indonesia where there are some incredible opportunities for Macro photography.

“Don’t be a Jerk.”

I cannot stress this enough!  I can write an entire article on being a good photographer underwater but I will just touch on a few things for now.  You need to be respectful of the people, places and the environment.  This is especially true underwater where the marine life is fragile and very susceptible to damage.  If you cannot get the shot without damaging the surrounding coral or other creatures (this includes hanging on) then pass on the shot or approach it a different way.  You have to be aware of your body position, fins, hands, etc so that you don’t damage the surrounding environment.  Another aspect of this is being respectful to the rest of the group.  If you are diving with a group, you owe it to them to remain a part of the group and not lag too far behind.  You may to have to pass on some shots to make up for the one you just took in order to stay with the group.  If you find this difficult, hire your own Dive Master and boat and you can then set the timing of the dive.

Talk to your taxi driver and other locals.

Remember, they know a lot about the area you are visiting.  They can be a good resource for fun things to do and entertaining things to see and do.  They can also be your pathway to understanding the local culture and customs more which will help your photography.

It is ok to be a tourist.

You are a tourist after all so it is ok to be one.  Don’t miss some of the touristy spots because some of them are really fun.  If you want a challenge, get the classic shot and then find different ways to portray the spot in your images.  Ask Ann, she loves macro photography and sometimes tree bark can be cool.

fiji-403Get up early and stay up late.

There is nothing like a sunrise or sunset right?  Well, it can really be special to be up when it goes from dark to light even before the sun starts to rise on the horizon.  Photographers call this the “Blue Hour” and it occurs twice a day – before sunrise and after sunset.  The lighting is magical so don’t miss it.  You can always take a nap or sleep when you get home.

Alex & the Girls“Give yourself permission to look and act foolish sometimes.”

“It’s OK to ask for help or not to know how to do something. You’ll get more out of a trip if you put those reservations aside.”

 

In both travel photography and underwater photography, we try to tell a story.  There is always a story, we just have to find the one we want to tell but that is a thought for another day…

Filed Under: Photography, Uncategorized, Underwater Tagged With: Photograph, photography, Surface Photography

January 31, 2011 by Eric Keibler

Creating Exciting Photographic Scenics

Rainbow Reef
Rainbow in Fiji
One of the central tenants of Buddhism is to be here in the moment and to experience the moment fully.  When you get behind the camera, it is important no to get too wrapped up in the technical side of photography but rather experience the beauty that is all around you at that moment.
Try and capture what you are seeing and experiencing.  Digital photography makes it easy to experiment.  Look at how the sun  plays off the leaves, trees, bark, water droplets; see how it illuminates the spider web or causes the water to shimmer.
When the sun is hidden behind a flat white sky, look for textures and contrasts.
In his article about landscape photography (PhotoSecrets.com), Mark Fenwick encourages his readers to look for:

  • Light -shadows and highlights,
  • Shapes – round and angular,
  • Colour – harmony and discord,
  • Texture – rough and smooth,
  • Composition – strong and weak,
  • Tones – light and dark
  • Patterns – even and odd,
  • Mystery.

 While you are exploring, move around your subject.  Look for alternate vantage points and angles.  If you can, try it at different times of the day.  By mneung around and exploring a site at different times, the landscape will reveal more to you.
You can also try using different lens apertures.  Ansell Adams is well known for shooting everything at f22 in order to capture all of the detail in his scenes.  You can also use that depth of field to your advantage by blurring an unattractive or distracting foreground while keeping the remainder of the scene in sharp focus.
You can always start with the standard shot of an area but then start experimenting.  Move around, lay on the ground, climb a tree, blur the foreground, or frame the image with a tree of bush.   You can change the perspective by switching from a wide angle lens to a telephoto lens or have a little fin and try a fish eye lens.  
Enjoy your photographic safaris or walks and learn to see what is happening at the moment you are there.  Don’t settle for a standard shot, experiment and try something different.

Filed Under: Digital, Photography, Underwater Tagged With: photographic scenics, photography, Surface Photography, underwater photography

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